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An added deck counts as a living space. Scrap Mastery – The artifact living death, or Mass Trash. I also always wanted to learn the real performance of the cassettes I so lovingly used in the 80s and 90s (first with BPC, then with a CR-2), until CD-R and self-recorded DVD-A (yes!) wiped out everything. And since the yard is great for those cool summer nights, don’t forget about proper lighting when planning out your deck decor. Morrison had been there for 10 or 11 years, and never removed, and had been painted over from time to time with the ways, no examination was necessary other than by the eye; that he would say, as matter of opinion, there would be no gradual weakening of the fastenings of the plate; that, upon the details stated in a hypothetical question, it was his opinion that the loss of the bilgepump plate was attributable to the fact that some hard substance had been dashed against it by the force of the waves and the rolling of the vessel, though the force of the water alone could not have ripped it out and carried it away. The hard, time consuming and expensive road to build most decks is considered an important feature of the format.
However, with all the cassette decks I measured so far this has not been a problem (provided, of course, that the deck’s output level control is at the maximum). The first increases a single frequency’s input level until the output level peaks. Before each new batch of tapes I first verified the setup with a control sample of XLII (1994), ascertaining that -20 dB still plotted at -30 dBFS and that the tape path was clean. The first-runs of shows will probably still be sold to local broadcasters across the globe but the treasure-trove of archive material will remain Disney’s. 10 kHz, looking for the highest input level where the output level still was equal to the input. I also estimated Maximum Output Level (MOL) at 400 Hz, with the limit set at 3% distortion , third harmonic. Again this was compensated for sensitivity at 400 Hz, but not for a tape’s frequency non-flatness in the treble.
The other method strictly used a IEC-aligned recorder (i.e. one set for the four IEC reference tapes from respectively BASF, BASF, Sony, and TDK), possibly operating a tape at a sub-optimal bias point, which would translate in a reduced dynamic range and a non-flat frequency response. One aligns the recorder to the tape prior to the test, typically varying bias for the flattest frequency response. The Nakamichi literature does not tell us what range the front panel bias fine control operates over. I recently purchased a good-condition Nakamichi Cassette Deck 1 (aka CD1), for no other reason that I lusted after such machines back when I could not (remotely) afford them. Almost all tests used commercial cassette decks for their measurements, with especially the Nakamichi 582 and Dragon being very popular. I use a laptop, with as bus-powered USB sound system an Alva Nanoface, running at 96kHz. I only use the Alva for measurements, it is handy and reasonably good. Vegas Rummy differs from other versions of Rummy in that it incorporates a betting system and improves upon haste of individual rounds.